Douglas Maxwell’s Decky Does a Bronco first appeared in the playwright’s native Scotland in the year 2000. It is a not uncommon tale of a childhood loss of innocence, in this case taking place in a council estate outside of Glasgow. There are some parallels with the Stephen King short story “Stand by Me” and it Rob Reiner’s subsequent film adaptation. Works of art sometimes need to find their own time and place when they are most resonant and relevant. Decky Does a Bronco has found its in the United States of 2019 for its premiere in this country.
[Be warned that spoilers lie ahead. It is near impossible to review Decky without revealing some critical details about the play. Knowing them, however, will not substantially alter your viewing experience.]
Pre-teen Decky (Misha Osherovich, A Clockwork Orange at New Work Stage) dies horribly, pointlessly, and randomly. It remains for the four remaining remaining friends – O’Neil (Graham Baker), Barry (Kennedy Kanagawa, Lolita My Love at the York Theatre), Chrissy (David Gow, Waverly Gallery at Shakespeare & Co.), and narrator David (Cody Robinson) – to live with the consequences of that horrible end. In an interview with The Modernist Beat, Gow – who also produces for Starting Five Productions – explained that it has been usual for past productions for these four roles to be played by two actors: one juvenile and one adult. Here, adult actors take on both. it creates some interesting challenges in communicating the shifts to the audience, but director Ethan Nieuaber nimbly navigates his actors from one age to another – sometimes the shifts move quickly – and the results are more complicated and nuanced character portraits.
As narrator, Robinson has to carry the emotional burden of the piece. The construction of the story – of the play – of the life and loss of Decky evolves into David’s process for trying to grapple with the events of the past. He is a survivor, and he finds himself overwhelmed with survivor’s guilt. He searches for ways in which he was responsible. He suffers from PTSD, and it is through the process of sharing the story that he can find healing. Robinson dives into that pain twisted with guilt and conveys that that process of healing was a hard won thing and still tenuous at best. The other survivors are not so lucky, particularly Chrissy who disappears into himself psychologically.
And it is in David’s journey, in his authoring his pain, that should speak with a roar to the 2019 American audience….because we lose so many Deckys every day. From Sandy Hook to Parkland, from the recent shootings in El Paso to Odessa (which have seen babies and high schoolers shot and killed), the number of those who must survive and continue after the loss of a friend, family member, school mate grows exponentially. We are become a nation of shell-shocked survivors, particularly our children. How will we carry these terrible burdens into adulthood? In this dark times, it is a play like a Decky Does a Bronco that will offer a map to escape the worst of their nightmares. There are certain parallels between the play’s David and activist David Hogg.
Osherovich brims with life, energy, and joie de vivre, so of course, the dimming of that light only enhances the sense of loss. Indeed, much of Nieuaber’s strategy in the first half of the play is to keep the proceedings uproarious and brisk, so that our descent will be that much greater. Baker finds the swagger and bluster in perennially cool kid O’Neil. He also the first to intuit what has befallen Decky. Gow seamlessly moves between the two ages of Chrissy in a frenetic performance that turns dark and grim as the boy becomes the second victim of the central event of the play. Kanagawa is the production’s secret weapon. He always surprises from the sheer comic lunacy of rushing to his auntie’s for tea on a bicycle to a more dramatic turn when he realizes he is the oldest of the boys and must accept responsibility for his cousin David. As always, Starting Five Productions always does incredible design work for an off-off-Broadway company. A special shout-out to scenic designer Diggle for the construction of a complete swing set on stage.
As gun violence will seemingly continue without end, it is plays like Decky Does a Bronco that will guide us in the aftermath. Starting Five could not have found a better time to premiere the work here and speak to our dark national moment.
For the interview with Gow, please follow this link: http://www.themodernistbeat.com/2019/08/13/decky-does-a-bronco-premieres-in-the-usa-an-interview-with-producer-david-gow/
For more information about the show, please follow this link: https://www.brownpapertickets.com/event/4302610
